Skip to main content

David Valdés

“Scheherezade”, roll or articulate?

“Scheherezade”, roll or articulate? Despite being one of the milestones in the symphonic repertoire, “Scheherezade” features, believe or not, many mistakes and misprints. Belaieff (I have already mentioned him in previous articles) published the score and parts in 1899 in Leipzig. Since then, we have played using the exact same edition: 135 years perpetuating the… Continue reading “Scheherezade”, roll or articulate?

Timpani in “Messiah”.

Timpani in “Messiah”. We are getting very close to “Messiah season” so, why not having a look at this perennial classic?   This year I will be playing timpani for the Christmas concert while my colleagues are in the pit playing “Aida”. I have started preparing for the rehearsals and I have found some interesting… Continue reading Timpani in “Messiah”.

Mahler No. 3. Snare drum in the distance.

Mahler No. 3. Snare drum in the distance. Celebrating the 25th anniversary of the “Príncipe Felipe” auditorium in Oviedo, the Oviedo Filarmonía and the Orquesta Sinfónica del Principado de Asturias join forces to play one of the most monumental works in the repertoire: Mahler´s Symphony No. 3.   This time, I am in charge of… Continue reading Mahler No. 3. Snare drum in the distance.

Bowings and stickings: “Polovtsian Dances”

Bowings and stickings: “Polovtsian Dances” Last June 3, GROVER PRO published a video on which I explain the relationship between the bow strokes on string instruments and the stickings on the snare drum. It is a continuation of the one that I already published using Falla´s “The Miller´s Dance” as an example , which you… Continue reading Bowings and stickings: “Polovtsian Dances”

Converting a tom into a snare drum.

Converting a tom into a snare drum. This project starts with a phone call by my colleague Adrián, owner of a 10″x7″ Tama Silverstar tom that he wanted to convert into a snare drum. The original tom. I disassembled all the parts so I could make the snare beds, a necessary structure so the snares… Continue reading Converting a tom into a snare drum.

Tchaikovsky´s “Arabic Dance” – Articulate or roll?

Tchaikovsky´s “Arabic Dance” – Articulate or roll? Last December 27 my article on the tambourine part of Tchaikovsky´s “Arabic Dance” (from “The Nutcracker”) was published on the Grover Pro website. You can read it clicking on the banner below: Thank you very much to Svetlana Manakova for helping me to translate the Russian indications. …et… Continue reading Tchaikovsky´s “Arabic Dance” – Articulate or roll?

Bowings and stickings: “The Miller´s Dance”.

Bowings and stickings: “The Miller´s Dance” Last November 16, Grover PRO published a video on which I stablish a relationship between the bow strokes on the string instruments and the stickings on the snare drum.   I am using Falla´s “The Miller´s Dance” (from “The Three Cornered Hat”) to show what I do to phrase… Continue reading Bowings and stickings: “The Miller´s Dance”.

Restauration of a Givernau tenor drum.

Restauration of a Givernau tenor drum. I have found a very peculiar drum in an antiques fair. It measures 44,7x31cm or 17″ 10/16 x 12″ 4/16). They  are not “exact” measures in neither system, which is quite bizarre. It also features some nice single point lugs and the tension rods are off-set. As you can… Continue reading Restauration of a Givernau tenor drum.

“Histoire du Soldat”, what about the “L´”?

Histoire du Soldat. Percussion part.

“Histoire du Soldat”, what about the “L´”? “Histoire du Soldat”, by Igor Stravinsky, is one of the most important works in the percussion repertoire, as it was one of the first to be written for a percussion set. Apart from its “percusive” importance, it is a masterwork which is played very often (whether staged or… Continue reading “Histoire du Soldat”, what about the “L´”?

Herd bells in “Tosca”.

Herd bells in “Tosca”. I have been to Rome lately, where I have spent some wonderfull days together with my family. Among many other places of general and musical interest, I have been to the Castel Sant´Angelo. The third act of “Tosca” takes place at this impresive building. More precisely at the upper platform. LA… Continue reading Herd bells in “Tosca”.