Glissando bass drum in “Momente” (K. Stockhausen) Karlheinz Stockhausen ´s “Momente” includes a very unusual drum: “DERI glissando drum”. © Karlheinz Stockhausen DERI has not a meaning in German; it is the acronym of DEibel and RImmel, as Max Deibel and Karl Rimmel were the founders of this brand. Karl Rimmel started with a… Continue reading Glissando bass drum in “Momente” (K. Stockhausen)
Tag: percussion
In memoriam Kurt-Hans Goedicke
In memoriam Kurt-Hans Goedicke Kurt-Hans Goedicke passed away on August, 22. After graduating at the Universitat der Kunste in Berlin, he joined the RTÉ Symphony Orchestra for a brief period of time. Since 1964 until his retirement in 2000, he was the timpanist for the London Symphony Orchestra. He was, also, the Head of… Continue reading In memoriam Kurt-Hans Goedicke
Carmina Burana revealed (part 2)
“Carmina Burana” revealed (part 2). On June 24, my second article on “Carmina Burana” (this time dealing with the snare drum, tambourine and triangle parts) was published on the GROVER PRO website. You can read it HERE. I hope you enjoy it. Please stay tuned for the next articles in the series. … Continue reading Carmina Burana revealed (part 2)
The bass drum in “Symphonie Fantastique” (H. Berlioz)
The bass drum in “Symphonie Fantastique” (H. Berlioz) Berlioz´s “Symphonie Fantastique” is always a treat. I have played it on many occasions and on different instruments. Playing it again on the week of June 2-6, together with the Orquesta Sinfónica del Principado de Asturias, has been a real pleasure. This time I was on… Continue reading The bass drum in “Symphonie Fantastique” (H. Berlioz)
Timpani in “Falstaff” (G. Verdi)
Timpani in “Falstaff” (G. Verdi) Since the last couple of weeks I am in Valladolid playing a wonderful production of “Falstaff” (G. Verdi) together with the Orquesta Sinfónica de Castilla y León under the baton of Óliver Díaz. As you already know, the timpani parts in Italian opera are often discussed because the “alien”… Continue reading Timpani in “Falstaff” (G. Verdi)
Carmina Burana revealed (part 1)
“Carmina Burana” revealed (part 1). On April 25, my first article dealing with the timpani and percussion parts in “Carmina Burana” (Carl Orff) was published on the GROVER PRO website. You can read it HERE. I hope you enjoy it. Please stay tuned for the next articles in the series. …et in… Continue reading Carmina Burana revealed (part 1)
“Rapsodie Espagnole”, by Ravel
“Rapsodie Espagnole”, by Ravel. “Rapsodie Espagnole“, by Ravel, is not only an important work in the symphonic repertoire; it also features wonderfully written percussion parts. Sadly, both the score and the particelle are plaged with numerous mistakes and missprints that the first edition has perpetuated in many performances and recordings. Because I played this work… Continue reading “Rapsodie Espagnole”, by Ravel
“Scheherezade”, roll or articulate?
“Scheherezade”, roll or articulate? Despite being one of the milestones in the symphonic repertoire, “Scheherezade” features, believe or not, many mistakes and misprints. Belaieff (I have already mentioned him in previous articles) published the score and parts in 1899 in Leipzig. Since then, we have played using the exact same edition: 135 years perpetuating the… Continue reading “Scheherezade”, roll or articulate?
Timpani in “Messiah”.
Timpani in “Messiah”. We are getting very close to “Messiah season” so, why not having a look at this perennial classic? This year I will be playing timpani for the Christmas concert while my colleagues are in the pit playing “Aida”. I have started preparing for the rehearsals and I have found some interesting… Continue reading Timpani in “Messiah”.
Mahler No. 3. Snare drum in the distance.
Mahler No. 3. Snare drum in the distance. Celebrating the 25th anniversary of the “Príncipe Felipe” auditorium in Oviedo, the Oviedo Filarmonía and the Orquesta Sinfónica del Principado de Asturias join forces to play one of the most monumental works in the repertoire: Mahler´s Symphony No. 3. This time, I am in charge of… Continue reading Mahler No. 3. Snare drum in the distance.