David Valdés started playing piano at the age of seven. He discovered percussion at sixteen and studied both instrumental disciplines for several years but, once he gained his Bmus in Piano, percussion became his main interest.
He got his Bmus in Percussion at the Oviedo Conservatory of Music under Rafael Casanova (OSPA) with the highest marks (“Angel Muñiz Toca” Award and “Extraordinary Prize” Award). He also gained a Bmus in Solfege, Sight Reading and Transposition. He also has been trained in Chamber Music, Music Theory and Counterpoint.
David attended the Madrid based “Centro de Estudios Neopercusión”, where he studied with Juanjo Guillem (ONE), Enric Llopis (ORTVE), Francisco Diaz (OST), Juanjo Rubio (OCM), Oscar Benet (OCM), Belen López, David Mayoral and Serguei Sapricheff.
He studied at The Royal Academy of Music in London with Andrew Barclay (LPO), Simon Carrington (LPO), Leigh Howard Stevens, Nicholas Cole (RPO), Dave Hassell, Paul Clarvis, Neil Percy (LSO) and Kurt Hans Goedicke (LSO), where he gained his Postgraduate Diploma in Performance (Timpani and Percussion) and his LRAM. He also studied Jazz with Trevor Tompkins, Orchestral Conducting with Denise Ham and Choral Conducting with Patrick Russill.
David has attended many courses and master classes by renowned musicians: Jeff Prentice, Rainer Seegers, Benoit Cambrelaing, David Searcy, Ben Hoffnung, Philippe Spiecer, Enmanuel Sejourné, Keiko Abe, Eric Sammut, She-e Wu, Joe Locke, Anthony Kerr, Dave Jackson, Makoto Aruga, Chris Lamb, Collin Curie, Evelyn Glennie, Mircea Anderleanu, Steven Shick, John Bergamo, Airto Moreira, Birger Sulsbruck, Peter Erskine, Dave Weckl, Bill Cobham, Carlos Carli, George Hurst, Arturo Tamayo, Collin Meters, José María Benavente, Román Alís, Fernando Puchol, Michel Martín, Javier Cámara, Francisco José Cuadrado… These musicians have trained him in Percussion, Piano, Contemporary and Modal Harmony, Jazz, Conducting, Music Production, Editing and Microphone Techniques.
He was awarded the “Principality of Asturias Government Scholarship” three times in a row, he was finalist at the “International Keyboard Percussion Competition” sponsored by the “Yamaha Foundation of Europe” and was runner-up for the “Deutsche Bank Pyramid Awards”, given to innovative performance and composition projects.
David has played with the following orchestras: Gijón Symphony Orchestra (Spain), Principality of Asturias Symphony Orchestra (Spain), Oviedo Filarmonía (Spain), Asturias Classical Orchestra (Spain), Spanish National Orchestra (Spain), Catalonian Chamber Orchestra (Spain), Castilla y León Symphony Orchestra (Spain), Orchestra of the University of Oviedo (Spain), City of Avilés Symphony Orchestra (Spain), Extremadura Symphony Orchestra (Spain), Moscow Virtuosi (Russia), Concerto München Sinfonieorchester (Germany), WDR Rundfunkorchester Köln (Germany), Arthur Rubinstein Philharmonic Orchestra (Poland), Orquestra do Norte (Portugal) and the Ulster Orchestra (UK).
EARLY MUSIC AND CHAMBER MUSIC
He has also played with early music ensembles (Forma Antiqva, Memoria de los Sentidos, Sphera Antiqva and Ensemble Matheus) and chamber groups (RAM Percussion Group, Neopercusión and Ars Mundi Ensemble).
He is the founding member of “Les Musicienes Domestiques”.
He has translated into Spanish “Method of Movement for Marimba” (L. H. Stevens). He is, also, the Spanish translator of PERCUSSION ORCHESTRATIONS.
David has taught at the Gijón and Oviedo Conservatories of Music.
His discography includes many different genres and he has worked as a session musician, arranger and on-line instrumentalist as the result of his interest in recording, sound and technology.
David owns his own recording studio and company: “Cowhouse Productions”.
David is a member of the PAS Symphony Committee and is a Grover Pro Artist.