Modification of a Premier bass drum. This project is a consequence of a larger one; namely, to provide myself with the proper drums to recreate as close as possible the original sound, character and looks in Stravinsky´s “The Soldier´s Tale”. For the bass drum I used a 28″x12″ Premier (model 188) from the 70s.… Continue reading Modification of a Premier bass drum
Tag: percussion
Xylophone in Richard Strauss´ “Salome”
Xylophone in Richard Strauss´ “Salome”. We, percussionists, very often play on instruments that, in reality, are not those that the composer indicated. We have the keyboard xylophone in “Bluebeard“ (B. Bartok), a part impossible to play on a regular xylophone; the glockenspiel parts in many works (“Magic Flute”, Mahler #7, «Daphnis et Chloe», etc.), which… Continue reading Xylophone in Richard Strauss´ “Salome”
“Concerto for percussion and small orchestra” (D. Milhaud)
“Concerto for Percussion and Small Orchestra” (D. Milhaud) Considered one of the first concerti for multipercussion, the Concerto pour batterie et petit orchestre op. 109, by Darius Milhaud, was written between 1929 and 1930. An important work in the percussion repertoire, it is played very often by both students and professionals. It is scored… Continue reading “Concerto for percussion and small orchestra” (D. Milhaud)
Tambourine in “Polovtsian Dances”: authorship, notation and technique (and II)
Tambourine in “Polovtsian Dances”: authorship, notation and technique (and II). Last Saturday, the second and last part of my article “Prince´s Igor Tambourine Mystery (part 2)” was published on the GroverPro website. You can read it HERE. © Grover Pro Percussion Did you know about this very specific technique? Stay tuned, as future articles will… Continue reading Tambourine in “Polovtsian Dances”: authorship, notation and technique (and II)
Tambourine in “Polovtsian Dances”: authorship, notation and technique (I)
Tambourine in “Polovtsian Dances”: authorship, notation and technique. Last Wednesday, my article “Prince´s Igor Tambourine Mystery (part 1)” was published on the Grover Pro website. You can read it HERE. © Grover Pro Percussion A second article showing the peculiar technique used in dances #8 and #17 will soon be published. …et in… Continue reading Tambourine in “Polovtsian Dances”: authorship, notation and technique (I)
My home-made Renaissance drum
My home-made Renaissance drum. A side drum is an ancient kind of large drum that was used in Europe by the landsknechts, mercenaries from the German area. Said troops fought on the side of the highest bidder, and they even were part of the Spanish infantry under emperor Carlos I. Said drum was played… Continue reading My home-made Renaissance drum
Converting a floor tom into a tenor drum
Converting a floor tom into a tenor dum. This project started with a 16″x16″ floor tom. It was a Mapex Pro-M drum, so a very decent one. The interior of the shell was in immaculate state and the bearing edges were perfect, so it was time for a conversion of this nice drum. © David… Continue reading Converting a floor tom into a tenor drum
Making my own Renaissance long drum
Making my own Renaissance long drum. I always wanted a large drum like that owned by my dear colleague Manolo Durán. © David Valdés His drum has been used by the Oviedo Opera Foundation, by the Asturias Symphony Orchestra in several early music programs. I wanted one like his, but stablished brands do not offer… Continue reading Making my own Renaissance long drum
A solution for Premier 632 strainers and similar ones
A solution for Premier 632 strainers and similar ones. I bet that many of you, like me, own Premier snare drums featuring the classic #632 snare strainer. ©Musikk-miljo.no Other brands feature this kind of holed plate too (like Ludwig), and I can see why you may end up hating this piece of gear, as attaching… Continue reading A solution for Premier 632 strainers and similar ones
More on cymbals and Russian notation
More on cymbals and Russian notation. Last week I wrote THIS article. While researching on another issue which I will write about soon, I found more music that proves my previous article; namely, that “+” means suspended cymbal played with a soft stick and “o” means cymbals “a 2”. Rimsky-Korsakov wrote the opera-ballet “Mlada”. Its third… Continue reading More on cymbals and Russian notation